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This image released by Marvel Studios shows Angela Bassett as Ramonda in a scene from "Black Panther: Wakanda Forever." (Marvel Studios via AP)

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Review: In 'Wakanda Forever,' an empire mourns and rebuilds
By JAKE COYLE - AP Film Writer
Tue,11/08/22-11:00AM , 118 Reads
Made in the wake of tragedy, “Black Panther: Wakanda Forever” reverberates with the agony of loss, piercing the usually less consequential superhero realm.
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Dwayne Johnson poses for photographers upon arrival for the premiere of the film 'Black Adam' on Tuesday, Oct. 18, 2022, in London. (Photo by Vianney Le Caer/Invision/AP)

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'Black Adam' tops box office again on quiet weekend
By JAKE COYLE - AP Film Writer
Sun,11/06/22-11:24AM , 198 Reads
NEW YORK (AP) — On a quiet weekend in movie theaters before the upcoming release of “Black Panther: Wakanda Forever,” Warner Bros.' “Black Adam” topped the box office for the third straight weekend with $18.5 million in ticket sales, according to studio estimates Sunday.
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This image released by Warner Bros. Pictures shows Dwayne Johnson in a scene from "Black Adam." (Warner Bros. Pictures via AP)

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'Black Adam,' with Dwayne Johnson, debuts with $67M
By JAKE COYLE - AP Film Writer
Sun,10/23/22-12:31PM , 247 Reads
NEW YORK (AP) — Warner Bros.' “Black Adam” opened with an estimated $67 million, according to studio estimates Sunday, handing Dwayne Johnson his biggest box-office weekend as a leading man and launching the D.C. Comics character he spent a decade to bring to the big screen.
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Henry Selick, second from left, co-writer and director of the stop-motion animated film "Wendell & Wild," poses for a portrait with voice cast members Keegan-Michael Key, left, and Lyric Ross, second from right, and co-writer/co-producer/cast member Jordan Peele during the 2022 Toronto International Film Festival, Sunday, Sept. 11, 2022, at the Shangri-La Hotel in Toronto. (AP Photo/Chris Pizzello)

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In 'Wendell & Wild,' stop motion moves to an Afro-punk beat
By JAKE COYLE - AP Film Writer
Thu,10/20/22-3:32PM , 105 Reads
NEW YORK (AP) — The spooky, sublime stop-motion animation worlds of Henry Selick are feasts for the eye that can burrow into the imaginations of young minds. In films like “The Nightmare Before Christmas,” “James and the Giant Peach” and “Coraline,” the dark, handmade curiosities of Selick have tended to leave a mark.
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